Here are a few sample job advertisement for this type of role…
Sr Broadcast Producer
We are a culture of seekers; wondering what’s next, what’s waiting to be discovered, and how can it be done better than before. At FCB, we believe the best part of a brand’s story is never finished. We are always moving forward. Always looking back. Always a work in progress. Always never finished.
FCB NEW YORK is looking for a Senior Producer who embodies the Never Finished ethos. Our producers are the craftsman and the makers who bring our creative ideas to life.
We are looking for a creative, strategic and versatile talent who is passionate about the extraordinary impact of Production has on our work.
Responsibilities:
- Participate in meetings with client services and creative teams
- Consult with creative, account and legal staffs from inception of ideas through completion of projects as to logistics and feasibilities of the projects including timing and budgetary constraints
- Identify potential legal issues and interfaces with agency counsel and talent advisors to resolve issues
- Evaluate, solicit and negotiate bids with cast performers (on and off-camera), production, music through post-production and trafficking
- Award jobs to talent & vendors, based on companies judged to be best qualified to handle the project at hand
- Submit cost estimates to account management for client approval
- Control the approved budget through all phases of production
- Supervise and train broadcast business managers on daily broadcast activities, like assigning ISCI codes, production, trafficking of broadcast materials, reporting SAG/AFTRA talent, issues POs, involve approval, network clearance, avoidance of penalties, union and non-union contracts
- Maintain and oversee records of all commercials, by TV and radio, as to year of production, talent and upcoming expiration of commercials
- Inform supervisor on a day-to-day basis of new projects, developments and issues on all assigned projects and staff
- Manage agency video library for storage of film, tape masters and TV/radio scripts
- Ensure masters of completed commercials are sent to NY and Corporate Communications and that agency video library is up to date and organized
- Knowledgeable in the latest production techniques, sources, production house capabilities, production cost factors, union and non-union issues
- Attend and direct pre-pro meetings, the shooting, production and post –production of television commercials when 2 or more DRTV television production jobs are in-house or upon assignment from supervisor
- Process SAG, AFTRA, AFM union payments to performers appearing in radio and television commercials as produced by agency from initial session fees to use and reuse
- Renegotiate SAG and/or special contracts at expiration of commercials and assists in preparation of SAG contracts and special contract letters
- Maintain master file of all contracts and renewals
- 5+ years of experience within a broadcast or agency environment.
- Bachelor’s degree and/or relevant experience required.
- Computer proficiency (Mac and PC); knowledge of Excel, MS Word, Quark, and comfortable learning new systems
- Strong knowledge of production and scheduling process
- Must be able to accommodate work schedules and be open to travel
Advertising Producer
- You have five to seven years of brand marketing experience working with global brands, ideally advertising specific and with an emphasis on integrated communications.
- Deeply detail oriented and organized.
- A great problem solver with a strong work ethic.
- The ability to learn quickly.
- You can develop positive relationships with multiple partners.
- You react quickly to new information.
- You are a passionate Apple user.
Producer
At Left Foot Blue, Producers are naturals at balancing (Projects), wearing many hats (Project Management, Account Management, Line Producing, Post-Producing) and pulling rabbits out of hats. Our Producers can rock a pre-pro meeting, run a voice over session, lead a client review, actualize a budget, and set up for a shoot, all on the same day without breaking a sweat. Our projects are as varied as our outstanding brands which will include broadcast commercials, e-commerce videos, and branded content for digital and social media platforms.
A Day In the Life of a Producer involves:
- Kicking off projects and everything in between to final shipping
- Leading review sessions with clients
- Negotiating rates with vendors
- Prepping shoots
- Line Producing
- Post Producing
- Project Management
What you‘ll do:
- 5+ years of progressive experience in broadcast/digital content production
- BA degree in advertising, communication or film studies/production strongly preferred
- Dynamic, results-oriented problem solver with great analytical skills
- Comfortable with budgeting and negotiating
- Professional in redefining a strategy and vision into actionable plans
- Professional in leading internal and external partners
- Professional in developing/producing cutting edge media, advertising and/or video content
- Manage and implement approved digital assets from kick-off/needs stage, to strategy, briefing, budgeting, coordination, scheduling, project management, and execution to deliver digital video assets for global regions
- Act as agency liaison between the eComm department, brand/product teams, model shop and external production vendors
- Supervise the pre production, production, and post production for PDP assets with an emphasis on high volume videos (800+ unique pieces), including 360’s, GIF’s, product features, commercial cut downs (:06s, :15s, :30s), and tutorials focused on conversion
- Strong familiarity with Amazon PDP’s/Content Health Scores and the best practices for a digital merchandising lifecycle
- Via established brand norms, leverage images, videos, fonts, icons, and verbiage to create PDP assets and bring depth and storytelling to every initiative
- Build and maintain creative asset requirement guidelines tailored to our channels, enabling our creatives to concept holistic statements across all platforms with the aim of uniformity
- Work efficiently with overseas teams (APAC), guiding and supervising productions in remote studios that require additional support
- Be available to implement updates after-hours
- Think wholistically, centralizing budgets and approvals
- Be able to pivot quickly and change shoot dates and production schedules as needed
- Track & report Key Development Milestones
- Suggest workflow, tools, process and standards to improve efficiencies
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